交换妻子2

　　莫妮卡有個正值青春期的女兒卡拉，但一天早上卡拉卻因一場奇怪的事件而失蹤，幾個小時後被人發現時已意識不清，醫生更宣告她剩下的時間不多。莫妮卡無法接受自己的女兒已無藥可救，在極度絕望之下，參與了一場暗黑儀式，並跟一名神秘的男人訂下契約，以挽救卡拉的性命。隔天卡拉突然恢復活力，連醫生也無法解釋原因，但莫妮卡的夢魘才正要開始。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

2014年的法国迎来同性婚姻合法化。当妻子腹中孕育着新生命时，塞琳娜一边为争取收养资格收集证明材料，一边直面内心对母职的认知冲突。

太平洋雨夜，海滩尸骸遍野，货船遭巨兽撕碎，灾难预兆降临。边郊监狱内，死刑犯乌川临刑前夜遇史前大蛇袭击，混乱中越狱，却在唐人街被女警秦雅擒获。 恰逢驲珲化工爆发蛇灾，乌川母亲被困车间，他拒捕欲救人，此时各类史前怪兽肆虐，城市沦为炼狱。二人与幸存者躲进超市，合力斩杀潜藏怪物。众人查明，驲珲化工违规排海才引生物报复。 吴川挺身营救母亲与幸存者，击败大蛇阻止二次污染