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大怪兽加美拉
船越英二,北原义郎,浜村淳,大山健二,吉田义夫,左卜全,村田扶实子,大叶健二大映が初めて手掛けた、1965年制作の本格怪獣映画『ガメラ』シリーズ第1作。監督は、湯浅憲明。北極海上で原爆を積んだ国籍不明機が米軍機によって撃墜され、氷山に墜落した。このため、積んでいた原爆は爆発、氷山に閉じ込められていたエスキモーの伝説の怪獣ガメラが蘇った。巨大な亀怪獣ガメラはその後姿を消し、入れ替わるかのように世界中で謎の空飛ぶ円盤が目撃される。人々の関心が空飛ぶ円盤に移り、ガメラのことが忘れられた頃、再びガメラが北海道にその姿を現した。自衛隊の作戦で仰向けにひっくり返されたガメラ。起き上がることの出来ないガメラに、人々は勝利を確信するが・・・。
合唱团2025
拉尔夫·费因斯,罗杰·阿拉姆,西蒙·拉塞尔·比尔,阿玛拉·奥凯雷克,托马斯·豪斯,艾米莉·费尔恩,雅各布·杜德曼,Taylor Uttley,内森·霍尔,鲁本·班布里奇,Ellie Sager1916年，第一次世界大战在西线激烈进行，约克郡拉姆斯登的合唱协会失去了大部分男性成员，他们都应征入伍了。雄心勃勃的委员会决心继续前行，决定招募本地的年轻男性来填补队伍空缺。同时，他们还必须聘请一位新的合唱指挥，最有希望的人选是亨利·格思里博士（拉尔夫·费因斯 饰）——一个意志坚定、毫不妥协、刚从德国音乐生涯归来的男人。随着征兵通知陆续送达，全社区的人逐渐意识到，在战争摧毁一切的混乱中，最有力的回应就是：一起奏响音乐。
罗伯特玩偶的复仇
Lee Bane,Harriet Rees,Judith Haley在纳粹德国，玩具制造商拥有一本神秘的书籍，赋予无生命的生命。在躲过希特勒命令取回书的党卫军之后，这位玩具商登上了一列火车企图逃离该国。认为他很清楚，玩具制造商很快就发现，一批高级纳粹军官也加入进来。最终，他的秘密被揭露出来，纳粹关闭。但是，玩具制造商已经使用这个神奇的东西来带来一个名叫罗伯特的复古娃娃来生活 - 而罗伯特将毫无阻碍地保护他的主人。所以，当玩具制造商和杀手娃娃拿起纳粹时，就开始了一场血腥的战斗。这是对死亡的一场战斗，只有胜利者才会在下一站下车。
灵幻夹克
艾德里安·布洛迪,凯拉·奈特莉,克里斯·克里斯托佛森,詹妮弗·杰森·李,丹尼尔·克雷格,凯莉·林奇,布拉德·兰弗洛,斯蒂文·麦金托什,布兰登·柯伊尔,麦肯兹·菲利浦斯,劳拉·马兰洛,詹森·刘易斯,乔哈·罗坦,安琪儿·库碧时空的转换，现在与未来的穿梭，都在杰克（亚德里安·布洛迪 Adrien Brody 饰）身上神奇的发生着。他本来是一个参与过海湾战争的美国军人。意外中弹令他丧失了记忆，成为一个失忆者。继而更倒霉的是，他被警方认作杀人疑犯拉回审讯。因为判定为精神疾病，杰克免于坐牢，只是被带到精神病院，作为某项科学实验的样品。 医生为杰克穿上了紧身衣物，把他放进停尸间。这里黑暗冰冷，只剩下零散的记忆碎片陪伴杰克。碎片中有着他将来的模样，有着一个心爱的叫杰基（凯拉·奈特利 Keira Knightley饰）的女子，更有着自己快要死去的讯息。在记忆中看到将来的杰克，在一线希望中寻找着通往生机的钥匙。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
兄妹
大泉洋,宫崎葵,泷本美织,仲野太贺,西原亚希,七五三掛龍也,一路真辉,夏洛特·凯特·福克斯,笹野高史,波乃久里子室生犀星名作