换妻性爱

写写画画

　　立志成为漫画家的高中生林明子，经同学介绍来到一个奇怪的美术教室。这个教室没有招牌也没有宣传，甚至在电话本上都查不到，只是一处坐落在海边的小木屋。木屋主人是个手拿竹刀、身穿运动服的美术老师，名叫日高健三。他严厉无比，每次学生们画画懈怠的时候，他只有一句话：“去画吧！”

1863起义者

上帝阴影下

　　一位精英驱魔师在对他的父亲进行未经授权的驱魔时，怀疑与他战斗的实体是一个神圣的存在——甚至可能是上帝。

疯狂的麦克斯：狂暴女神

　　影片讲述了复仇女神弗瑞奥萨（安雅·泰勒-乔伊 Anya Taylor-Joy 饰）惊心动魄的成长史。年轻的弗瑞奥萨从原本的家园被掠走，落入军阀狄门特斯（克里斯·海姆斯沃斯 Chris Hemsworth 饰）领导的帮派手中，在穿过荒原时，他们来到不死老乔（拉黑·休姆 Lachy H ulme 饰）所掌管的堡垒。在两位暴君争夺统治地位的同时，弗瑞奥萨必须在重重考验中活下来，并想方设法寻找回家的路；她也逐渐成长为利落酷飒的狂暴女神。

灵魂灯笼

　　《灵魂灯》的故事发生在封建时代的一个北方村庄。Thuong 独自抚养儿子，希望丈夫服完兵役后能回来。一天，Linh（Thuong 的儿子）无意中捡到一盏神秘的灯。他开始称墙上的影子为父亲。据村里的巫师说，这是一盏灵魂灯，可能召唤了寻求报复的恶灵。从那一刻起，不寻常的鬼魂事件开始困扰 Thuong 和村民。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

嗜血之夜

　　一群十几岁的少年庆祝一个本地连环杀人犯的忌日，突然发现他们自己与这个困扰的城市传说的现实面对面。