唐朝艳妃
皇帝选美 逐个脱清光佳丽如云 靓到失魂 唐朝中叶，玄宗皇帝选杨玉环进宫为妃，杨乃一介民女，内侍高力士献计，将杨封为女道士，带发修行，杨在太真观苦待年余，其身世俗均已消失，始奉召入宫册封为六官之首贵蛋蛋电影网
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惠英红,吴可熙,文淇,柯佳嬿,陈莎莉,丁强,刘尚谦,林志儒,王月,温贞菱,王伟六,陈珮骐,尹昭德,大久保麻梨子,巫书维,颜毓麟,刘越逖,傅子纯,陈武康,施名帅,秀兰玛雅,应朗丰,李铨棠家一脉花开，将军身故，棠夫人站在家族宗法宝塔上，也就立足弥陀乡政治的顶端。黑白两道，茶盏交错之间，玲珑心，剔透眼，柔软身段，霹雳手段，女人天下。大女儿棠宁玲珑八面，却怀一股心思幽微，小女儿棠真乖巧听话，学着继承泡茶待客之道，随棠夫人帘后织手暗操线，青春初丰满的羽翼，能如何担起腥风血雨？棠家牵线的土地开发计划出现变数，好友议员一家遭灭门惨案，以血掀变，弥陀乡势力重新洗牌，暗潮涌动，台北二十年，大家深宅三代女人，千手染血的观音，骨与血，治与乱，情欲与权力层层密谋穿织。
六度战栗
爱德华·福隆迈可透过一张光碟，参加了一场刺激的游戏，在月黑风高的晚上他发现自已稍稍走进一间屋子并从厨房拿刀子杀死一个沈睡著的男人当迈可醒来时他兴奋极了，这一生他从没有这么刺激和开心过，第二天当他看到新闻。天啊！那件谋杀案真的发生了吗？后来第二张CD又寄来了，他决定结束这场荒谬的游戏，但主谋者从迈可的电脑中走出来，他竟是一具有形象的＂人＂，并且一再要胁迈可再玩下去，也挑唆他面对恐惧和幻象，迈可就像受催眠一般他无处可逃，主谋者已经完全控制了他使他分不清什么是真什么是假……
布偶秀50周年特别节目
塞斯·罗根,塞布丽娜·卡彭特,玛娅·鲁道夫,马特·沃格尔,大卫·戈尔兹,迈克林·西提,比尔·巴雷塔,Peter Linz,史黛芬妮·迪亚布卓,埃里克·雅各布森,Elizabeth Stenmoen,泰勒·邦奇,David Rudman,Alice Dinnean,Bruce Lanoil,科琳·史密斯,James Murray,Haley Jenkins,Kevin Carlson,Artie Esposito科米蛙、猪小姐以及其他迷人的伙伴们，重返最初的布偶剧院舞台，带来全新的音乐、搞笑短剧，以及一连串的后台大乱斗。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
在魔鬼门前
娜雅·里维拉,阿什莉·里卡兹,科林·伊格斯菲德一幢待售的房子，交到了年轻的女房产经纪莉手上，她在房里发现了一个精神有些异样的女孩，她以为那是前任房主离家出走的女儿，便想伸出援手，谁知女孩似乎被一种超自然的力量控制，莉和她的艺术家姐姐薇拉，都难逃她的魔掌…
湾岸 midnight the movie
中村优一,小林凉子高中三年级学生朝仓晓生是个车迷，这天他在车行里发现了一辆深蓝色的日产FairladyS30Z。这正是传说中的“恶魔Z”，号称速度最快的改装车。据说“恶魔Z”仿佛有着自己的意志，能够根据情况做出反应，它的高速令人生畏，却又深深地吸引着追求速度之梦的人们。“恶魔Z”曾经的拥有者都出了事故，这辆车在世上销声匿迹了一阵，竟然又出现了。晓生迷上了“恶魔Z”，为之投入了全副精力，试图去完全掌控它。 绘梨子的哥哥晶夫也因为“恶魔Z”而死，绘梨子非常讨厌这辆车，反对让它复活。然而晓生的热情感染了她，她在晓生身上看到了哥哥的影子，渐渐地开始支持他。 绘梨子的男朋友岛达也曾经是晶夫的赛车朋友，他认为应该把“恶魔Z”销毁，阻止再有人牺牲。达也将爱车黑色保时捷911重新改装，向晓生发出了战书。 恶魔Z与黑鸟的对决拉开了序幕……