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邪恶校园
尼古拉斯·霍普,Megan Drury,Will McDonald,Texas Watterston,Jack Ruwald克里斯托弗系列
伊恩·麦克莱恩,米凯拉·科尔,杰西卡·古宁,詹姆斯·柯登,Dmitri Prokopiev,Tilly Botsford,丹尼尔·弗恩,Lucy McCormick,Le Fil,达拉斯·坎贝尔,Ferdy Roberts,斯图尔特·库克肤色
乔纳森·塔克,杰克逊·罗伯特·斯科特,丹妮尔·麦克唐纳,朗尼·查维斯,贾里德·戴,山姆·狄龙,迈克尔·维拉尔错误指控
莱斯利·尼尔森,理查德·克里纳,凯莉·勒布洛克,美琳达·麦格劳,麦克尔·约克,桑德拉·伯恩哈德,艾伦·坡尔,本杰明·拉特纳,杰拉德·普伦科特,邓肯·弗雷泽,John Walsh,Chick Hearn,玛丽·布莱克,阿莱克斯·迪亚坤,阿德里安·多瓦尔,埃莉·哈维,Charles Payne,帕特·普罗夫特,薇娜·苏德,比尔·塔尔林,Shari Lewis首都消失
渡濑恒彦,名取裕子,山下真司,江角英明,大泷秀治,石桥莲司,石野阳子,加藤治子,岸部一德,三木纪平,夏八木勋,龙雷太,相马刚三,丹波哲郎,津村鹰志,渡边文雄,财津一郎,海老名美どり夜间巡逻
贾斯汀·朗,德蒙特·莫罗尼,杰梅因·福勒,CM朋克,尼基·米切奥,RJ·赛勒,飞莲,迈克·弗格森,弗雷迪 吉布斯,Zuri Reed,埃文·沙夫兰,YG,Kim Yarbrough,Colin Young,乔恩·奥斯华尔德,尼克·吉利,Dennis Boyd同类精选
副总统
克里斯蒂安·贝尔,艾米·亚当斯,史蒂夫·卡瑞尔,山姆·洛克威尔,娜奥米·沃茨,艾丽森·皮尔,埃迪·马森,贾斯汀·柯克,丽莎盖伊·汉密尔顿,杰西·普莱蒙,比尔·坎普,唐·麦克马纳斯,莉莉·拉贝,谢伊·惠格姆,斯蒂芬·阿德利·葛尔盖,泰勒·派瑞,杰夫·博斯利,吉利安·阿美娜特,马修·雅各布斯我聘请了职业杀手
让-皮埃尔·利奥德,Margi Clarke,肯尼斯·考利,T.R. Bowen,伊莫金·克莱尔杀他的100种办法
扭曲
克里斯蒂娜·里奇,布兰登·弗莱彻,维斯勒·夏农,约翰·库萨克,妮科尔·安东尼,奥利弗·莱斯,斯科特·奥林克,安杰拉·奎恩,巴里·纳林,朱丽娅·马克斯维尔,马特·布朗北京猿人
绪形直人,王祖贤,哀川翔,丹波哲郎,坂上忍,小野贤章赤赤炼恋
土屋太凤,吉泽亮,千眼美子,吉田羊,大杉涟,有森也实影视排行
绝命47小时
亚历山德里娅·德伯里,艾莉·玛丽·埃文斯,汤姆·普罗克特,Amanda Marie Wilkinson,布赖恩·马西,Annie Hamilton,Natalie Dickinson,卢克·谢尔顿 Luke Shelton,Julia Lashae,Zach Rose两个不善社交的少女，一天晚上无聊，转向互联网寻找恐怖故事。他们在一个令人毛骨悚然的网络上找到了一个游戏，声称你可以用你的手机来召唤超自然...如果你输了比赛...你失去了生命
深入阴宅
辛政顺,尹伊娜,申素媛在京畿道有一所废弃的住宅，此前曾属于一名金姓老板，他所经营的食品工厂蒸蒸日上，然而他因外遇而和妻子关系日渐恶劣。某天，金老板一家五口被人残忍杀害，与之有染的女员工也下落不明。附近百姓传说女员工早被杀死，她的怨灵屠杀了金老板一家，金老板的住宅也成了当地著名的鬼宅。 2010年的一天，电视台《废家探访》剧组慕名前来，但是包括制作人李永珠、导演崔圭石、录音记者程智英、废家探访队员任万首、万美真、崔雨岚一行六人最终神秘失踪。6月的一天，摄制组的录像带素材重现天日，经过一番修复，摄制组成员们最后那段恐怖的经历得以展现世人面前……
特种部队:毁尸灭尽
Kevin Tanski,Robert Woodley,Chris Clark,Will Mutka,Mike Sarcinelli,Kahley Cuff,Rick Primerano,Patrick Mallette,Salvatore Sabia,Gary Sundown,Daniel James,Artimus Pyle,Ashlee Amoia,Aleksandar Ivicic,Darrin StockFive Spec Ops, Alpha Squad, head a simple Recon Mission that turns into an all out war for survival against a wave of undead experiments. Alpha Squad must fight, not just for the sake of their own survival, but the fate of the world.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.