成人之间
本片由12段情境对话组成，每段的主人公均为一男一女，且前一段和后一段的主人公有重叠，如此接龙，形成了一个连环的系列剧，首尾呼艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。内容主要反映法国生活中都市男女剪不断理还乱的情感纠葛。包括婚外情男女最后一次云雨，出轨男对于老婆的谎话，职业介绍中的潜规则，小姐出卖情感和身体的代价，夫妻对于生意的分歧，化妆与早餐引发的矛盾，旧情人上门复合的期望，云雨后感受时间的压力，杂志引发的口角，婚前恐惧症，各怀心事的烹饪……
即刻观影
剧情赏析
编辑推荐
北部丛林
尼克·斯塔尔,奥利维亚·王尔德,达什·米霍克Allen Meneric is committed to a psychiatric institution for the criminally insane because of a brutal revenge murder. There he is forced to deal with the very ill and the dangerous until, as part of a socialization program, he is transferred to minimum security where he meets Mia, a beautiful bipolar female inmate. Ever haunted by his past, Allen seeks his redemption when sudden events demand that he protect Mia from the violence and chaos of the institution.
伊甸之枪
Alexandra Faye Sadeghian,Bill Kennedy,Peter Johnson四名周末露营者被武装民兵追捕。
世界的主人
徐粹彬,张慧珍,金郑植,姜彩允,李宰锡,朴知玧,金艺昶,高旻示,白贤珠,卞重熙,文惠仁,郑恩京,李尚熙,李代延,金锡勋,林在赫珠仁17岁的时光，是热切投入青涩的恋爱，和好友打闹笑谈对性的好奇，替任职幼儿园校长的甩碌阿妈善后，闲时练跆拳道和做义工挥洒满身活力。某日，同学发起联署，反对出狱在即的强奸犯重回社区，只有珠仁一个不肯签名。她冲口而出的一句话，令她周遭的世界起了剧烈变化。那边厢，幼儿园小女孩身上的瘀青，不禁令人起疑.…..尹佳恩导演一向擅拍儿童，早获奉俊昊力赞为下一代大师级人马，此次探索少女内心幽微更见精准细腻，新人徐粹彬的演出展现惊人层次和魅力。看似平凡的青春日常，幻化成对创伤、韧性和连接的动人描绘，悄无声息地撼动心灵。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
青出于蓝2025
索菲娅·莉莉丝,戴夫·巴蒂斯塔,鲍比·坎纳瓦尔,凯特·德尔·卡斯蒂洛,杰克·尚皮永,托尼·达尔顿,布鲁·德尔·巴里奥,印达·纳瓦雷特,惠特尼·皮克,泽尔·亚当斯DEA agent and partner pursue thieves: their own rebellious teens, who began robbing cartel using parent tactics and classified intel.
无处释放我
杰瑞米·艾伦·怀特,杰瑞米·斯特朗,保罗·沃尔特·豪泽,斯蒂芬·格拉汉姆,奥黛莎·杨,马克·马龙,盖比·霍夫曼,大卫·克朗姆霍茨,格蕾丝·古默,哈里森·吉尔伯特森,约翰尼·坎尼扎罗,琳恩·A·弗里德曼,斯蒂芬·辛格,伊万·阿马罗·布隆,莎拉·斯洛博达,克里斯托弗·杰伊姆斯,格雷格·普朗科,克雷格·杰拉蒂,阿拉贝拉·奥利维娅·克拉克,洛蕾娜·奥斯塔影片聚焦布鲁斯·斯普林斯汀打造1982年的著名专辑《Nebraska》时期，作为年轻音乐人的他努力应对成功的压力，和令人困扰的过往。