在出差地被上司多次弄到高潮的女职员

貘之歌

四个背景经历各不相同的年轻人在北京的一个出租屋里喝酒，但因为想法不一，互相有一些矛盾然后打了一架，警察介入，之后结束。

边境交易

在吉尔吉斯与哈萨克边境，两名毒贩为钱途踏上一场艰险旅程，意外遇见刚从奴役中逃脱、满身伤痕的女孩。正当他们试图协助女孩越过边界，她却再度落入险境，他们决定不惜一切代价，也要将女孩带回其家人身边。中亚自然景观壮丽，奔流不息的河水却成为了人与人之间无法逾越的边界。导演以离家工作却惨被人口贩卖的家人的亲身经历出发，探讨人在压迫下的道德两难，以及内疚与遗憾如何塑造生命。

生活如是2025意大利

当一位年迈的牧羊人成为唯一一个反对房地产开发商在他小小的撒丁岛村庄建造豪华度假村的人时，他开始做大生意。一个关于金钱买不到的东西的感人的失败者故事，配有美丽的风景和明显的意大利情感。

大怪兽巴朗

　　科学万能の現代、だが未だ地球上には解明できぬ謎が残されている……。東北地方に、婆羅陀魏山神という神をまつる村があった。訪れた調査隊はそこで生ける神・バラダキを目撃する。それは湖に棲息する中生代の恐竜・バランであった。急遽出動した自衛隊の攻撃を逃れ、バランは空へと舞い上がる。やがて姿を現したバランは、浦賀水道から東京上陸を狙う。３６ミリ機関砲さえ跳ね返すバランに対し、自衛隊はダイナマイトの２０倍もの威力を誇る特殊火薬をもって対抗するが……。ミニチュアワークは相変わらず冴えているが、“未知の謎”を主題にしているわりにはストーリーが平板。冒頭からバランの全身を出し、その破壊力の描写に終始している感がある。資料によっては「東洋の怪物」のサブタイトルも見受けられるが、フィルム・クレジット上には存在しない。

毛骨悚然撞鬼经25周年特别篇

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

虫2025

柾木在大学好友池内的邀请下去观看舞台剧，并被登台表演的芙蓉所吸引。然而，他逐渐开始怀疑芙蓉与池内之间的关系。于是柾木与一个对芙蓉心怀厌恶的神秘女子小林合作…… 　　影片根据江户川乱步的同名中篇小说改编。