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养鬼吃人3
Terry Farrell , Paula Marshall , Kevin Bernhardt , Doug Bradley切勿擅动
唐·钱德尔,本尼西奥·德尔·托罗,马特·达蒙,大卫·哈伯,布兰登·费舍,诺亚·尤佩,茱莉娅·福克斯,基南·卡尔金,克雷格·穆姆斯·格兰特,艾米·西米茨,弗兰西斯·肖,乔恩·哈姆,Tina Gloss,雷·利奥塔,拜伦·鲍尔斯,比尔·杜克,Lucy Holt,Katherine Banks,Claudia Russell,Lauren Rys Martin柏林危机
汤姆·弗拉席亚,玛莎 莱奥妮 巴赫,肯·杜肯,理查德·艾沃特,艾米莉·普拉斯-琳克,基达·拉马丹,蒂姆·维尔德不良街区
张本煜,黄垲翔,刘扬,町田悠宇,粘土大介鬼上车
卢·洛贝尔,雅各布·西皮奥,梅丽莎·里奥,德薇埃尔·约翰逊,邦妮·迪肖恩,布雷特·贝德罗西安,托尼·杜佩,杰西卡·克鲁兹,米歇尔·L·皮特斯猩球崛起
安迪·瑟金斯,詹姆斯·弗兰科,芙蕾达·平托,约翰·利思戈,布莱恩·考克斯,汤姆·费尔顿,泰勒·莱伯恩,卡琳·考诺娃,泰瑞·诺塔里,理查德·赖丁斯,克里斯托弗·戈登,德文·达尔顿,杰·卡普托,大卫·奥伊罗,杰米·哈里斯细骨小屋
赛迪·斯欧维奥,乔莉·理查德森,尼尔·林波同系列推荐
沉默的舰队2
大泽隆夫首都消失
渡濑恒彦,名取裕子,山下真司,江角英明,大泷秀治,石桥莲司,石野阳子,加藤治子,岸部一德,三木纪平,夏八木勋,龙雷太,相马刚三,丹波哲郎,津村鹰志,渡边文雄,财津一郎,海老名美どり致命录像带
Calvin Reeder,莱恩·休斯,亚当·温加德,Hannah Fierman,Mike Donlan,Joe Sykes,Drew Sawyer异变者
绫野刚,成田凌,岸井雪乃,石井杏奈,内野圣阳灵幻夹克
艾德里安·布洛迪,凯拉·奈特莉,克里斯·克里斯托佛森,詹妮弗·杰森·李,丹尼尔·克雷格,凯莉·林奇,布拉德·兰弗洛,斯蒂文·麦金托什,布兰登·柯伊尔,麦肯兹·菲利浦斯,劳拉·马兰洛,詹森·刘易斯,乔哈·罗坦,安琪儿·库碧蓝调之歌
休·杰克曼,凯特·哈德森,迈克尔·因佩里奥利,费舍·史蒂芬斯,詹姆斯·贝鲁什,艾拉·安德森,金·普安公主,穆斯塔法·沙基尔,Bob Roseman,杰森·华纳·史密斯,罗伯特·约翰·加拉格尔,Eva Kaminsky,Beth Malone,马特·戈尔斯基,Sean Allan Krill,T. Oliver Reid,Tom O'Keefe,鲍里斯·伦敦,Johnny Olmez,Faye Tamasa幕后花絮
灵魂密室
一位邪恶的马戏团老板在几位高中生的小镇上演“鬼屋”，他们必须抗拒他的魔咒。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster