跑车比赛快活女
莫莉·戴维斯是一位赛车赞助商。她新雇的车手是克里斯蒂·霍利斯，这女人毫不费力地勾引交警，让他从后面进入她，结果还是收到了一张罚单。莫莉的另一位车手是凯西，克里斯蒂的情人，他喜欢勾引莫莉的赛车技师。莫莉之前的车手，也就是技师的妹妹，在竞争对手麦克奈特轮胎公司的奥森·麦克奈特派他的助手达奇去篡改她的赛车后丧命。莫莉和凯西在莫莉的浴室里嬉戏时，技师因为阻止了另一起篡改赛车的阴谋而被送进了医院。莫莉在病床上“报复”了他。之后，克里斯蒂试图获得一个远离奥森的维修区，于是强迫了这位年长的已婚赛道经理。他很快就同意了，但她再次一无所获。作为拒绝为奥森工作的惩罚，达奇在克里斯蒂的拖车里强奸了她，直到莫莉闯进来揍了他一顿。克里斯蒂从凯西那里得到了安慰，而莫莉则从约翰那里得到了同样的安慰，约翰……
在线看
同款热播
约瑟夫·门格勒的消失
奥古斯特·迪赫,达娜·赫弗斯,布尔格哈特·克劳斯纳,安东·利特维诺夫,海因茨·K·克拉蒂格,马克西米利安·梅耶-布雷泽内德,Carlos Kaspar,阿丽娜·利特维诺娃,Tetiana Lytvynova,David Ruland,Rodrigo Costa Pereyra,Diana Stepanova,Santino Lucci,Ramiro Lucci本片聚焦臭名昭著的纳粹医生约瑟夫·门格勒的逃亡轨迹，从巴拉圭的藏身之所到最终遁入巴西丛林深处，再现这名"死亡天使"流亡南美的隐秘岁月。
幸存者2015
马丁·麦凯恩,米娅·高斯,安德鲁·辛普森,巴里·沃德,欧文·弗热瑞,道格拉斯·罗素,凯瑞尔·肯尼迪,瑞安·麦克法兰,迈克尔·奥·莱恩,夏兰·弗林故事讲述一个男人在森林深处一个小农场里，保护他的土地和作物，但长期的孤独造成了他失去控制...
崛起
Caroline McQuade,Kenneth Trujillo,Wassim Hawat,Buffy Anne Littaua,Nicole Sharrock,Melissa Brattoni,Anthony Moisset,Marcus Johnson,杰克·坎贝尔,Melissa Davidson,Natalie Rose,Alex Gallant,Lily Brown Griffiths,Olga Olshansky,Mansoor NoorAn isolated town in Alaska where a contamination occurs after a minor meteorite explosion.
绑架
保罗·皮耶罗邦,福斯托·鲁索·阿莱西,芭芭拉·朗奇,Enea Sala,莱昂纳多·马尔特斯,菲利波·蒂米,法布里齐奥·吉福尼,Andrea Gherpelli,Samuele Teneggi,科拉多·因韦尔尼齐,Aurora Camatti,保罗·卡拉布雷西,布鲁诺·卡里诺,Renato Sarti,Fabrizio Contri,费德里卡·弗拉卡西,查士丁尼·阿尔皮,亚历山德罗·班迪尼,James Basham,Leonardo Bianconi1858年，在博洛尼亚的犹太区，教皇的士兵闯入了莫塔拉家，按照枢机主教的命令，他们要抢走莫塔拉家的七岁儿子埃德加罗。这个孩子在婴儿时期被保姆秘密洗礼，教皇法律是不容置疑的：他必须接受天主教教育。莫塔拉的父母心痛万分，他们将不惜一切代价取回自己的儿子。在国际犹太社区和舆论 的支持下，莫塔拉家的斗争很快就带上了政治色彩。但是，教会和教皇不会同意归还这个孩子，因为这有助于巩固越来越动摇的权力……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
人肉农场
诺拉·叶莎耶,Alec Gaylord,Ken Volok,Rob Tisdale,Kelly Mis,David Air,Julie Meghan Brown,Gael Carrion,Jola Cora,Sandra Cruze,Rishi Das,Hollywood Lee DuPree,Catherine Farion,Giovanni Savoia Giò,Ryan GrindstaffA young couple gets kidnapped and treated like farm animals after stopping at a roadside diner to eat meat.