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笔仙大战贞子2
奚美丽,云翔,朱娅,王宇凝,林奕婧《笔仙大战贞子2》讲述了美术学院学生夏柚（奚美丽饰），在与“姐妹团”佩洁（朱娅饰）、小依（王宇凝饰）、雯雯（林奕婧饰）聚会时候玩起了通灵游戏，阴差阳错之下招致了贞子的出现，伴随而来的还有噩梦和杀戮。被逼无奈之下，姐妹团决定召唤笔仙，一场中日鬼王之间的恶战再次掀起。
万物生灵：2025圣诞特别集
尼古拉斯·瑞夫,蕾切尔·申顿,萨缪尔·韦斯特,安娜·梅德利,卡勒姆·伍德豪斯,派翠西亚·霍吉,盖亚·怀斯Channel 5和PBS Masterpiece宣布一次性续订《万物生灵》第五季、第六季，均由6集和圣诞特别集组成。
交响诗篇超进化2
动画《交响诗篇》的剧场版动画《交响诗篇 超进化》续作预计于11月10日正式上映，正式片名定为《ANEMONE/交响诗篇超进化》，宣传PV今日公开。故事以TV动画《交响诗篇》中最初的东京为舞台，故事主要围绕7年前丧父的安妮莫奈展开。
奇谋妙计五福星
洪金宝,吴耀汉,冯淬帆,岑建勋,秦祥林,钟楚红,成龙,叶童,林正英,夏文汐,太保,元彪,李赛凤,午马狱中5个素不相识的人成了好兄弟——五福星。茶壶（洪金宝 饰）、死气喉（吴耀汉 饰）、卷毛积（岑建勋 饰）、凡士林（秦祥林 饰）和鲁奇（冯淬帆 饰）五人皆因小偷小摸或跑龙套成了冤大头，他们决心出狱后重新做人，光明正大挣钱。五人同一天出狱了，出狱后他们合股成立了一间清洁公司 ，专门帮公司或家居进行清洁。 一天，黑帮在交易制贩假炒的电版时，被当地一个愣警察撞见了。慌乱之下，他们将电版藏进了五福星的清洁车的清洁箱内。毫不知情的五福星就这样又无端卷入了江湖是非中：一方面，警察怀疑他们是黑帮同伙，在四处通缉他们；另一方面，黑帮也在追寻他们，想杀人灭口取回电版。五福星在进退两难的境地如何运用他们的奇谋妙计脱险？
喜羊羊与灰太狼之羊年喜羊羊
祖晴,张琳,杨阳洋,高全胜,梁颖,邓玉婷,刘红韵,赵娜在阳光明媚的日子里，灰太狼突然闯入羊村，虽然他被小羊羊们击退，却把村长的变身魔毯打劫回去。表现英勇的喜羊羊受到伙伴们的称赞，而懒羊羊对此反而有些愤愤不平。为了证明自己的实力，他将慢羊羊的时空照相机错认为手枪，将其偷走后闯入狼堡。得知消息的喜羊羊匆匆赶去营救，结果在混乱之中被卷入时空乱流回到了远古时代，灰太狼和懒羊羊更被魔毯互换了身体。灰太狼无意中被原始羊的千金相为驸马，懒羊羊则成为几只笨狼的首领。 可怕的是有一条能把任何生物变成石头的恶龙肆虐，为了保卫原始时代的朋友们，喜羊羊他们携手挑战恶龙，懒羊羊更成为了足以改变历史的英雄人物……
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.