夏の魔法は解けたりしない！ 福丸雛
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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初始者
什恩·卡鲁斯,大卫·苏利文,卡西·古登,Anand Upadhyaya,Carrie Crawford,Jay Butler,John Carruth,Juan Tapia,Ashley Warren,Samantha Thomson,Chip Carruth,Delaney Price,Jack Pyland,Keith Bradshaw,Ashok Upadhyaya,Brandon Blagg,Jon Cook,David Joyner,Eric De Soualhat获得第24届圣丹斯电影节剧情片类评委会大奖的《雷管》，讲述的是四位合作者出于兴趣发明了一台查错仪器，却意外地发现这台仪器拥有强大的商业价值，最终四人相互争斗的局面。《雷管》是导演什恩-卡鲁斯(ShaneCaruth)首次执导的剧情长片，该片由他自己投资，并身兼编剧、导演、主演数职，体现出独立电影的“DIY”精神。另外，令人津津乐道的是该片不足7000美元的超低制作成本，只相当于一辆富康车的价钱……
恐怖特快
고이경 GO I-gyoung,李泰利,吴荷妮,李起昶,아인주작한 심령 현상을 생중계하며 인기 유튜버로 급성장한 ‘쥬저링’. 하지만 기쁨도 잠시, 주작을 들킨 ‘쥬저링’은 채널을 접어야 하는 위기에 빠진다. 불리한 상황을 한방에 뒤집으려는 ‘쥬저링’은 ‘마야신녀’와 함께 인적이 드문 외딴 집에서 회심의 심령 현상 라이브 쇼를 시작한다. 그 순간 이유를 알 수 없는 섬뜩한 일들이 벌어지고, 의문의 남성 ‘성민’과 마주치는데… 절대 그 문을 열지 말아야 했다! 봉인된 악을 깨운 그날의 라이브!
疯狂动物城2
金妮弗·古德温,杰森·贝特曼,关继威,福琼·费姆斯特,安迪·萨姆伯格,大卫·斯特雷泽恩,伊德瑞斯·艾尔巴,夏奇拉,帕特里克·沃伯顿,昆塔·布伦森,内特·托伦斯,邦妮·亨特,唐·雷克,麦考利·卡尔金,布兰达·宋,莫里斯·拉马奇,莉亚·莱瑟姆,雷蒙德·S·佩尔西,珍妮·斯蕾特,丹尼·特雷霍,马克·史密斯,汤米·利斯特,让·雷诺,塞西莉·斯特朗,朱恩·斯奎布,米歇尔·戈麦兹,戴维·法恩,约翰·雷吉扎莫,汤米·钟,艾伦·图代克,迈克尔·J·福克斯,乔希·达拉斯,彼得·曼斯布里奇,伊薇特·尼科尔·布朗,艾德·希兰,一个神秘爬行动物的到来，把温馨的动物城搅动得天翻地覆。面对全新的城市危机，警官兔朱迪（金妮弗·古德温 Ginnifer Goodwin 配音）与狐尼克（杰森·贝特曼 Jason Bateman 配音）将继续携手为保卫动物城而奔波。在追捕行动中，这对老搭档不仅要揭开新角色的神秘面纱，还要前往被迷雾笼罩的新领域，探索未知的地下黑市，一场疯狂动物城的全新冒险即将展开……
狂野时代
易烊千玺,舒淇,赵又廷,李庚希,黄觉,陈永忠,郭沐橙,张志坚,曾美慧孜,闫楠影片讲述“迷魂者”（易烊千玺 饰）通过体验视觉、听觉、味觉、嗅觉、触觉五感，跨越一个世纪的故事。而“大她者”（舒淇 饰）则好似是打开“迷魂者”故事的钥匙......
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
女孩白日梦
郑筠熹,尤柏耘,郑景文,古峰畢業在即，陳莉莉這位志向成為小說家的學生正努力克服拖延，面對現實與夢想的交錯，她能否完成自己的小說，勇敢邁向新生活？