奥古斯丁
1885年的巴黎冬日，十九岁的少女被莫名的歇斯底里症缠身。脑神经科医师夏柯特教授为了筹募医院基金，在发表会上以催眠术启动她体内的疾病，未经人事的处子在众目睽睽下竟出现了模拟不来的性高潮症状，一举惊动医学界，也让少女成为教授的「明星」案例。然而少女内在的庞大渴慕也在无意识间被唤醒，性别及阶级的层层角力之下，两人一步步逾越医病之间的道德界线。
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热门影视 大家都在看
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莫妮卡·贝鲁奇,本·奥图尔,泰丝·哈乌布里奇,卡罗琳·福特,大卫·文翰,戈兰·D·克鲁特,费利克斯·威廉森,Berynn Schwerdt,Jay Gallagher,Connor Van Vuuren,Charmaine Bingwa,Epine Bob Savea7号房的礼物
柳承龙,朴信惠,郑镇荣,金正泰,吴达洙,朴元尚,郑满植,葛素媛街尾之宅
詹妮弗·劳伦斯,伊丽莎白·苏,麦克斯·泰瑞奥,吉尔·贝罗斯,Eva Link,诺兰·杰拉德·冯克,艾莉·麦克唐纳同类推荐
三块广告牌
弗兰西斯·麦克多蒙德,伍迪·哈里森,山姆·洛克威尔,艾比·考尼什,卢卡斯·赫奇斯,彼特·丁拉基,约翰·浩克斯,卡莱伯·兰德里·琼斯,凯瑟琳·纽顿,凯瑞·康顿,泽利科·伊万内克,萨玛拉·维文,克拉克·彼得斯,尼克·瑟西,阿曼达·沃伦,玛拉雅·瑞沃拉·德鲁,布兰登·萨克斯顿,迈克尔·艾伦·米利甘米尔德雷德（弗兰西斯·麦克多蒙德 Frances McDormand 饰）的女儿在外出时惨遭奸杀，米尔德雷德和丈夫查理（约翰·哈克斯 John Hawkes 饰）之间的婚姻因此走到了尽头，如今，她同儿子罗比（卢卡斯·赫奇斯 Lucas Hedges饰）过着相依为命的生活。一晃眼几个月过去了，案件仍然没有告破预兆，而警方似乎早已经将注意力从案子上转移了开来。被绝望和痛苦缠绕的米尔德雷德租下了高速公路边上的三块巨型广告牌，在上面控诉警方办案无能，并将矛头直接对准了警察局局长威洛比（伍迪·哈里森 Woody Harrelson 饰）。实际上，威洛比一直隐瞒着自己身患绝症命不久矣的事实。因为这三块广告牌，米尔德雷德和威洛比的生活发生了翻天覆地的变化。
二〇二五年的欧陆
埃斯特·通帕,安娜玛丽亚·比鲁斯卡,马里乌斯·达米安,伊林卡·马诺拉切,瓦娜·马尔达雷,谢尔班·帕夫卢,阿德里安·希塔鲁,加布里埃尔·斯帕休,阿多尼斯·坦察奥尔索利亚是特兰西瓦尼亚主要城市克卢日的一名法警。一天，她必须将一名无家可归的男子从地下室驱逐出去，这一行动带来了悲剧性的后果，使得奥尔索利亚必须尽力应对随之而来的道德危机。
郊区男孩 3
Kery James,Bakary Diombera Bakary Diombera,Jammeh Diangana...
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
派对岛上的危险
林赛·德雷斯巴赫,Andrea Prevatt,James Bobo,Kate Dailey性格内向的律师梅尔·戴尔得知她爱冒险的妹妹突然去世后感到悲痛欲绝。但当她前往收集姐姐的尸体时，她很快就怀疑有人谋杀。她可能是下一个。