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剧情简介
明朝年间,有一无赖魏进忠(林剑峰饰)仰羡先朝大太监刘瑾(麦家【《赤裸红唇》短评:我记得监制是程小东啊,开头那个很是诱惑...看完DVD后发现只有开头的那一幕惊艳,断定此片一定有删减。封面党的噱头,普通的港产犯罪片。】琪饰)之荣华贫贱,特意结识孙太监望能引领入宫。一日,魏与孙欣赏奇技淫巧之杂耍扮演时,孙看中艺妓向泰其(小宫友里饰),并跟班主买下泰其,为施以极乐虐杀自娱。泰其得知后乞求魏同赴私奔,出走当晚,泰其向魏发挥极乐酷刑秘技,魏获真传后,杀掉泰其并割其首级及自宫阳物呈于孙太监以作赎
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布袋人
山姆·克拉弗林,安东尼娅·托马斯,威廉·霍普,史蒂芬·克里,弗兰基·科里奥,阿黛尔·莱昂斯,亨利·佩迪格鲁,莎伦·D·克拉克,尼尔·林波,Jordan Gubian,Will Davis,Caréll Vincent Rhoden谍影行动
加里·奥德曼,科林·费尔斯,汤姆·哈迪,约翰·赫特,托比·琼斯,马克·斯特朗,本尼迪克特·康伯巴奇,塞伦·希德,大卫·丹席克百米。
松坂桃李,染谷将太,笠间淳,高桥李依,田中有纪,种崎敦美,悠木碧,内田雄马,内山昂辉,津田健次郎,榎木淳弥,石谷春贵,石桥阳彩,杉田智和格拉德贝克人质事件
萨沙·亚历山大·吉尔萨克,亚历山大·谢尔,Marie Rosa Tietjen,阿尔布雷希特·舒赫雷霆营救
安志杰,Vanessa,罗伟,赵儒嫣,Alleyn,柯恬柔,Hamid,高明燊连环杀手夫人
杰奎琳·费南德斯,马诺杰·巴杰帕伊,莫希特·雷纳,Zayn Khan人气佳作
皇家次子女秘密组织
格雷格·布瑞克,艾洛蒂·袁,斯盖拉·阿斯丁,佩顿·伊丽莎白·李,奈尔斯·菲奇,阿什利·廖,伊莎贝拉·布莱克·托马斯,诺亚·罗麦克斯,贾斯达达,Derry Robinson,Olivia Deeble,Kenny Wong,Seth Mohan,Jadiel Dowlin,Xavier Schoppel灵魂密室
Katherine McNamara,Dove Cameron,Braeden Lemasters,Ryan McCartan,Tiffany Espensen我的朝圣之路
克里斯·海伍德,Jennifer Cluff,Laura Lakshmi全信没收
马特·达蒙,本·阿弗莱克,史蒂文·元,缇雅娜·泰勒,萨莎·卡莱,卡塔琳娜·桑地诺·莫雷诺,斯科特·阿金斯,凯尔·钱德勒,内斯特·卡博内尔,琳娜·埃斯科,辻大介,何塞·巴勃罗·坎蒂略,伊万·阿马罗·布隆,艾莉·莫雷诺,肖恩·迈克尔,克里斯·西尔维斯特里,凯瑟琳·德明,戴夫·费里尔,奇里尔·保兰导演精选
鬼声波
A writer who studies the paranormal believes that low frequency tactile sound is the cause for reported ghost sightings in an abandoned subway station. In an attempt to debunk the sightings, she breaks into the station to record evidence.
被破坏的男人
朱英秀(金明敏 饰)是一名律师,和妻子敏晶(朴珠美 饰)过着幸福的生活,两人共同养育着他们爱情的结晶慧琳(金素贤 饰),朱英秀相信正是因为有了主的庇护,他才能够过上如此美满的人生。然而,一场意外的发生彻底击碎了朱英秀的信念。 绑匪绑架了年幼的慧琳,两人就此下落不明。起初,朱英秀和妻子都坚信慧琳一定能够平安归来,然而随着时间的推移,这份坚定逐渐粉碎为了尘埃。朱秀英甚至因为此时而对自己坚持一生的信仰产生了怀疑。一晃眼八年过去,一通意外的来电在这个支离破碎的家庭之内再度掀起波澜,慧琳还活着,而朱英秀唯一的信仰,就是找到她。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster